#Gallant bone and tissue lyrics tv

Not having anyone looking over my shoulder gave me the freedom to lower my inhibitions and just grow, finally,' he says. 'I needed to just be alone, do things by myself. The leafy quietude of the hills above the Valley suits Gallant. My best work came after I cut myself off from all those people in the industry and that culture in general.' 'I got caught up in this culture of people being blindly ambitious, people who filled every second of every day with something meaningless. 'I was pretty stifled creatively,' Gallant says. He does not have fond memories of the half decade he spent in the city. Nonetheless, Gallant moved to Manhattan to study music and the business of entertainment at NYU's Gallatin School of Individualized Study, and he stayed to try his hand at pop songwriting after graduating. It's pretty new for people to compliment that.' I've always thought it was kind of a shortcoming.

'I never really thought I had a good voice. 'They told me it was the worst,' he says, with no hint of hyperbole. 'I was inspired by the trees and the sky and isolation, being with friends playing video games as much as any music.' Gallant's first musical explorations were laughed off by friends, instilling in him a sense of creative solitude, something that's still central to Gallant's music today.

#Gallant bone and tissue lyrics tv

It was amid the weed-whacked, manicured lawns and lakes of Columbia, Maryland-a 100,000-strong planned community outside of Baltimore that was once home to author Michael Chabon, actor Edward Norton, and TV on the Radio's Dave Sitek-that Christopher Gallant first stumbled into love with music with some modest first steps. Now I really appreciate it on some level I can't explain.' I thought the suburbs were wack when I grew up there. 'I love LA,' Gallant says, slowly with a cavernously deep voice. It's a crisp day, and sight stretches all the way over the San Fernando Valley to the San Gabriel Mountains. After a moment's quiet, talk turns to the horizon. He's slight of frame, a little shy, and sparing with his verbiage, measured with his words––hardly the sad presence his logo suggests but a far cry from the explosive confidence expressed through his voice in music. It is in all likelihood that Gallant's arching falsetto will soundtrack countless bouts of tender lovemaking from now until neo-neo-soul becomes a thing.Ī few minutes later, Gallant, now with pants on, meets me on the balcony upstairs. His SXSW performances inspired Grammy predictions among critics, and next week, he'll make his Coachella debut. Gallant is the latest focus: The songs on his first LP Ology, out today on Mind of a Genius, have already positioned him as both an indie darling and a touted savior of soul, with lead single 'Weight in Gold' amassing high-profile co-signs and millions of plays. 'But I couldn't be more proud of this body of work and I hope people take it in a way that's as honest as I was when I was making it.Owned by independent management guru Jake Udell, whose Th3rd Brain enterprise has already launched the acts ZHU and Krewella from obscurity into the big time, the house is aflutter with boyish industry-half hive-mind, half youth camp, bustling with start-up vibes. 'I've waited a long time to say everything that I'm saying in this album and it's terrifying to think that people will hear it,' he explained in a press release.

Gallant also took the opportunity to announce his debut album, Ology, will come out April 6.

It's really hard to honor those guys without trying to jack their sound or jack their style, but they were a true influence so I'm glad that came out on the record.' In an interview with Beats 1's Zane Lowe, Gallant revealed he took note of legendary songwriting duo Jimmy Jam and Terry Lewis for his sound. The song's clincher arrives at the chorus when he whisks you away with a smoked-out croon about wrestling self-doubt with a sound that is clearly a nod to classic R&B. Gallant comes through today with his latest offering, 'Bourbon.' The track opens up on glimmering electronics before the singer lends his signature buttery vocals, quickly steering the song into his piercing falsetto.